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Teaching Staff

Dr. WONG Kwok Kui | 黃國鉅博士

Associate Professor, Director of Liberal and Cultural Studies Programme

Office: RRS 607

Tel: 3411 5066

Email: kkwong@hkbu.edu.hk

Dr. Wong Kwok Kui received his Ph.D. in Philosophy from University of Tübingen, Germany, and M. Phil. in Comparative Literature from University of Hong Kong. His research interests are Nietzsche, Schelling, hermeneutics, the problem of time and poetics, theatre aesthetics. His latest publications include a book on Nietzsche,《尼采﹕從酒神到超人》﹐(香港﹕中華書局﹐2014), and articles like “Hegel’s Criticism of Laozi and Its Implications” in Philosophy East and West, “Schelling’s Criticism of Kant’s Theory of Time” in Idealistic Studies, etc. As a playwright he has also staged more than ten plays in the last seven years, which are collected in《經典新篇—從希臘悲劇到布萊希特的本土重寫》, (香港: 國際演藝評論家協會,2013).

Teaching Areas: Chinese and Western Modes of Thought, Great Works in the Humanities, Introduction to the Art of Theatre, Devil and Culture, Introduction to Western Classical Culture.

2012-present, Wong Kwok Kui, Principal Investigator, “Time and Poetics: A Study of the Problem of Time and Creative Language”. A book project.

Monographs, Journal Articles and Book Chapters

2014年﹐黃國鉅﹐《尼采﹕從酒神到超人》﹐(香港﹕中華書局﹐2014)﹐395頁。


Forthcoming, Wong Kwok Kui, “Figuration of Time: Rhythm and Metaphor in Dramatic Language”, in: N. de Warren & D. Moran ed. Contributions to Phenomenology, Springer


2013年﹐黃國鉅,〈時間問題與戲劇語言〉﹐《意象》﹐ (北京﹕北京大學)﹐第四期﹐頁167-180。


2013年,黃國鉅,〈伽達瑪論詞語的構成〉《東吳哲學學報》,(台北:東吳大學哲學系),第二十九期,頁63-93。


2012, Wong Kwok Kui, “Cassirer on the Syntax of Being”, in: Philosophy Study Vol. 2, No. 10, David Publishing


2011, Wong Kwok Kui, “Hegel’s Criticism of Laozi and Its Implications”, Philosophy East and West, Honolulu: University of Hawaii Press, vol. 61, no. 1, p. 56-79.


2010, Wong Kwok Kui, “Schelling’s Criticism of Kant’s Theory of Time”, Idealistic Studies, Charlottesville: Philosophy Documentation Centre, Volume 40:1-2, p183-102


2010, Wong Kwok Kui, “Kant and the Reality of Time” in: Cultivating Personhood: Kant and Asian Philosophy, Berlin: Walter de Gruyter, p.116-126


2010,黃國鉅,「歷史記憶與香港意識」,許寶強編《重寫我城的歷史故事》,香港﹕牛津大學出版社,頁13-24。


2007, Wong Kwok Kui, “Hegel und Schelling über die Einheit und das Leben des Einzelnen” in: A.Arndt ed. Hegel-Jahrbuch 2007: Das Leben Denken, Zweiter Teil, Berlin: Akademie Verlag, p.235-240


2006, Wong Kwok Kui, “What Can Chinese Culture Mean for the West? The Example of Hegel’s Criticism of Laozi” in: K. Boudouris ed. The Philosophy of Culture, vol. I, Athens: Ionia Publications,p.235-240


2006, Wong Kwok Kui, “Aristotle and Gadamer on Mimesis and Tragedy’ in: Philosophical Inquiry: International Quarterly, Thessaloniki: Aristotelian University of Thessaloniki, vol. XXVIII, No.4, p.21-34


2006, Wong Kwok Kui, “Can Tragedy Offer Us Wisdom of Life?”, in: Tao, Julia & Yan, Hektor ed. The Meaning of Life , Singapore: McGraw Hill, p. 387-403.


2006, Wong Kwok Kui, “Can We Make Sense of Death?”, in: Tao, Julia & Yan, Hektor ed. The Meaning of Life , Singapore: McGraw Hill, p.177-196.


2006, Wong Kwok Kui, “What is the Value of Art?”, in: Tao, Julia & Yan, Hektor ed. The Meaning of Life , Singapore: McGraw Hill, p.351-370.


2006, Wong Kwok Kui, “Can Religion Give Meaning to Life?“ in: Tao, Julia & Yan, Hektor ed. The Meaning of Life , Singapore: McGraw Hill, p.387-404.


民國95年7月,黃國鉅,「康德第一批判中的時間觀能否回答奧古斯丁的疑問」《國立政治大學哲學學報》第十六期,臺北: 國立政治大學哲學系,頁1-30.


2005,黃國鉅,「老子的現象學分析與時間問題」,劉國英、張燦輝編: 《現象學與人文科學》,第二期,專輯: 現象與道家哲學,香港: 香港中文大學現象學與人文科學研究中文,邊城,頁105-160


2005,黃國鉅,「從《西藏度亡經》看死亡作為臨界狀態」,關瑞文編,《靈性﹑宗教及全人健康—超越臨界狀態》,香港﹕商務印書局,頁50-68。


2004, Wong Kwok Kui, “The Concept of Being and the Ontological Status of Plato’s, ‘The One’, ‘The Good’ and the Ideas” in: Philosophy Inquiry: International Quarterly, Thessaloniki: Aristotelian University of Thessaloniki, Vol. xxvi, No. 4, pp.67-88


2004,黃國鉅,“班雅明語言哲學的神秘主義內容”《當代》, 204期,台北 : 合志文化,頁88-103


2003, Wong Kwok Kui, “Nietzsche, Plato and Aristotle on Mimesis”, DOGMA (electronic journal) ed. Angèle Kremer Marietti & Thierry Simonelli, France


Theatre Plays

2013,黃國鉅,《經典新篇—從希臘悲劇到布萊希特的本土重寫》,香港藝術發展局資助,(香港: 國際演藝評論家協會)﹐280頁。


2010,黃國鉅,《變天》,天邊外劇場,西灣河文娛中心劇院


2010,黃國鉅,《月季與薔薇》﹐天邊外自由劇場


2010,黃國鉅,《阿God你漏左野呀?》,天邊外自由劇場


2009,黃國鉅,「魔君前奏」文字創作,天邊外劇團、香港話劇團,《捕月魔君‧卡里古拉》,香港大會堂劇院大堂


2009,黃國鉅,《月季與薔薇》﹐天邊外自由劇場


2008,黃國鉅,《聖像山》,天邊外劇團《編風作浪》,沙田大會堂文娛廳


2007,黃國鉅,《地獄行》,天邊外劇團,牛池灣文娛中心


2007,黃國鉅,《焚城令》,天邊外劇團,文化中心劇場。2008年5月16-22日, 葵青劇院黑盒劇場重演。2008年重演,天邊外劇團,葵青劇院黑盒劇場


2007,黃國鉅,《月映寒松》,風車草劇團,香港大會堂; 「第六屆華文戲劇節」賀節節目


Theatre Translations

2012,黃國鉅,《又一好人》澳門塔石藝文館,  Translation of Bertholt Brecht’s Der gute Mensch von Szezuan (Good Man of Szechwan) from German to Cantonese, Horizon Theatre,天邊外澳門劇場


2011﹐黃國鉅﹐《無罪》﹐Translation of Dea Loher’s Unschuld (Innocence) from German to Cantonese, Academy Studio Theatre, Hong Kong Academy of Performing Arts

2012-present, Wong Kwok Kui, Principal Investigator, “Time and Poetics: A Study of the Problem of Time and Creative Language”, FRGI (HKD 50,000).